The True Cost of Being an Equine Photographer

  • Camera body: £1500
  • Lens 1: £1000
  • Lens 2: £750
  • Spare battery: £50
  • Battery grip: £75
  • Memory cards: £75
  • Computer: £1500
  • Camera bag: £50

And so on, and so forth. Next, make a list of all the little necessities you’ve bought to get through shoots – polos, baby wipes, a leather headcollar, all those small expenses. You’ll be surprised at how quickly they add up.

Now, make sure you’ve got all your digital expenses accounted for. These can include Adobe memberships, website costs, marketing expenses, custom emails, CMS, online courses, Canva accounts, and anything else you may use online to further your business.

Finally, tot up the miscellaneous necessities: insurance, your photography education, the utility bills you pay for your studio space, and the cost of keeping your car on the road.

Once you see your own outgoings, you might be slightly horrified – and that’s okay. It’s doubly okay if it makes you rethink that £100 shoot fee you’re charging. Isn’t your time worth more than that? Isn’t your equipment worth more than that?

What many people don’t realise is that when they invest in a photoshoot, they’re not just paying for nice photos – they’re paying for years of experience, a considerable amount of training, and a huge investment, both financially and in time and sacrifice. They’re not buying into someone’s hobby, they’re buying into someone’s passion and drive. That has to come at a cost.

Stop undervaluing yourself. You wouldn’t try to haggle for a professional camera at well below market value, but that camera is only as good as the person using it – so why would you consider yourself less of an investment. With an idea of the initial and ongoing financial investment you’ve made, you can start making some clear decisions about exactly what your time is worth. Then, your business can really soar.

A Message from the Judges

This year’s entries showed exceptional creativity and a strong sense of storytelling. We judged each image on both emotional impact and technical strength, looking at composition, light, atmosphere, connection, colour, sharpness and thoughtful editing.

We were truly moved by the work submitted and are so proud of every photographer who took part. Thank you for trusting us with your art.


Thank You

A heartfelt thank you to our judging panel:
Emily Hancock
Hannah Freeland
Tilly Berendt
Elisabeth Vieten

And to our partners:
Kaleidoscope Framing
SWPM

Your support makes this celebration of creativity possible.


Looking Ahead

We are already excited for next year’s competition and cannot wait to see what you create in 2026.

Until then, keep photographing what inspires you and telling the stories that matter to you.

Emily and Hannah
The Training Barn